The work of Bristol sound co-founder Geoff Barrow, this scabrous though slight debut feature turns a sceptical eye on 90s rave culture. Self-serving drug user David (the actor) first robs an passed-out supplier, then in a later recollection tries to break into his own family home. In no time, he's overturned in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the ecstasy generation were primarily out for themselves – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Poacher turns up, enraged after David kills his dog. Nevertheless, a grimly amusing standoff takes hold – David desperate to escape; the Woodsman withholding his jerrycan of scrumpy, determined to soaking him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Just a single important plot development, but it leads to a hilariously staged rampage on the forest trails that dips close to rural terror. Director John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.
The film releases in British and Irish cinemas from November 17.
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